Reviews
“Toby Hrycek-Robinson and Luke Pietnik’s sound designs which really land both stories.”
“Luke Pietnik is the sound designer for this one, and does a great job at bringing the rainy, oceanic world upon which this story takes place to life.”
— Daniel Mansfield, Who Review (Doctor Who: Third Doctor Adventures Vol. 7)
“Benji Clifford and Luke Pietnik also provide a top-shelf sound mix throughout.”
- Rodney Hrvatin, Glam Adelaide (Doctor Who: Third Doctor Adventures Vol. 7)
“Pietnik's work on The Gulf is no less solid, creating a haunted feel that lingers over the entire serial and makes it all the more effective.”
— Matthew Kresal, Warped Factor (Doctor Who: Third Doctor Adventures Vol. 7)
“Luke Pietnik’s sound design sells the environments well…”
— Paul Simpson, Sci-Fi Bulletin (Doctor Who: Third Doctor Adventures Vol. 7)
“…stellar sound work from Luke Pietnik and Richard Fox.”
— Jack Ryan, Blogtor Who (Class: Volume 4)
“Supporting Mowat’s music, the sound design by Richard Fox and Luke Pietnik hits the mark, with nothing sounding out of place.”
— Jack Ryan, Blogtor Who (Class: Volume 3)
“Special credit is also due to sound designer Luke Pietnik for providing distinct backgrounds, atmospheres and transition effects between the scenes set in the present and future.”
— Jackie Emery, Horizon (Blake’s 7: Restoration Part 2)
“…as usual, there is an exceptional sound and music design by Simon Power, Nigel Fairs, David Roocroft, and Luke Pietnik which not only brings the stories to the life but evokes many of the sound and music cues from the original series.”
— Rodney Hrvatin, Glam Adelaide (Blake’s 7: Restoration Part 1)
“Add that to the crisp sound design from Luke Pietnik, and you’re in for a rounded treat of a boxset…”
— James Hawkins, Temporal Zone (Class: Volume 1)
“The masterful music and expert sound design from Blair Mowat and Luke Peitnik respectively ensure that this feels authentically like the TV series but isn’t afraid to experiment.”
— Jack Ryan, Blogtor Who (Class: Volume 2)
“Pietnik did great work on the most recent Blake’s 7, The Spoils of War and this month is no different. Solid sound design all around.”
— Jason Chisholm, Blogtor Who (Doctor Who: The Silurian Candidate)
“The seemingly new name of Luke Pietnik joins us with his astounding soundwork, ranging from bashing robots, to political delegation, and rampaging dinosaurs. If this is his first run, then it is an impressive first time out and Big Finish highly need to consider getting him back.”
— Jack Ryan, Totally Big Finish (Doctor Who: The Silurian Candidate)
“The sound design by Nigel Fairs and Luke Pietnik is used to great effect … The music/effects in the episode Close Enough are just exquisite, especially the stuff around/about the talk of telepathy.”
— Jason Chisholm, Blogtor Who (Blake’s 7: The Spoils of War)
“The sound design from Nigel Fairs & Luke Pietnik is excellent too.”
— Ian McArdell, Indie Mac User (Blake’s 7: The Spoils of War)
“Nigel Fairs' and Luke Pietnik's sound design fills the soundscape excellently, conveying the worlds that the Liberator crew visits wonderfully”
— Joseph A. Morrison, Futurism (Blake’s 7: The Spoils of War)